REVIEW – Dark Horses – ‘Hail Lucid State’


Brighton art rockers Dark Horses expand their sultry fusion of kraut rock and imperious avant-garde new wave by adding flourishes of proto punk, psychedelia, and even a touch of glam rock to deliver a triumphant second album.

‘Hail Lucid State’ grips from start to finish mixing the cinematic with the poetic, and creating a maelstrom of noise and melody of rage and tenderness shot through a beguiling cyber-erotic Barbarella meets The Velvet Underground aesthetic.  It’s an intelligent, engaging fusion of musical influences and styles from a band whose visual style and presentation has always been an arresting mix of punk fetishism, wanton sexuality and a dash of situationalist swagger that at times makes them look like a cross between an art installation and a biker gang as re-imagined by David Lynch.  They’d already sculpted their own oblique mythology before releasing their debut and gave little away about their backgrounds before they became Dark Horses, although you can find some of their previous projects thanks to the internet if you are so inclined.

If  their acclaimed debut ‘Black Music’ was a slow burning teasingly seductive album to lure you into the shadows then ‘Hail Lucid State’ is an act of hip thrusting consummation imbued with a much more carnal vibe, a throbbing intensity that gets straight to the point; full of driving beats, impassioned urgent vocals and a shimmering defiant sense of vitality.

The album roars into life kicking off with ‘Live On Hunger’, a thundering psychedelic sensual carnal art pop juggernaut embellished with swirling guitars and electronic flourishes.  ‘Desire’ reveals a rare glimpse of vulnerability whilst latest single ‘Saturn Returns’ begins with a cascading Manzarek style keyboard riff before singer Lisa Elle takes the reins to urge the song onwards.  ‘Wiseblood’ has the classic metallic lustrous doom pop grandeur and hypnotic seductive power of Siouxsie Sioux, title track ‘Hail Lucid State’ and ‘Transistor’ have a touches of the haunting claustrophobic beauty of Joy Division whilst ‘Wake Up’ combines elements of both in spectacular fashion.

It’s an album that reveals more with every listen and reaffirms there is a huge amount of substance behind Dark Horses formidable style


‘Hail Lucid State’ is out now on Last Gang Records.

Live dates in September.






Andy Von Pip

ANDY VON PIP - Founder, editor, writer, reviewer, photographer and all-round good guy at the House photographer for The Academy Music Group, Zuma Press, Event Magazine and Rex Features worldwide. You can check out his photography at Andy Von Pip Photography Currently writing for U.S. Magazine and website Under The Radar. Andy been new music tipster on BBC6 Music, Amazing Radio, and DJ on Strangeways Radio (USA.) Regular podcasts can be found on Mixcloud and Spotify. His radio work has been described as sounding like Ian McCulloch on ketamine fused with Ringo Starr. He's also been moderator for BBC 6 Music DJ Tom Robinson's Fresh on the Net, and a former member of "BBC's Sound Of" panel. Written and photographic work has been published worldwide wide and appeared in the likes of The Quietus, Music Week, Record Of The Day, The Guardian, GIITV, The Sabotage Times, Bido Lito, The Skinny, Louder Than War.

Discussion1 Comment

  1. haven;t bought an album based on a review in quite some time, went old skool and glad i did as this is awesome

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