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Gimme Some Truth- Kids Love Lies Interview

Kids Love Lies were recently described by the NME as “Tweecore/power pop/pop-punk” -Pardon ? Apart from over use of the word “pop” what does that even mean? “Tweecore”, I assume is the polar opposite of hardcore, indeed the definition of “twee” means “Overly precious or nice” so lets throw that one out of the window straight away eh? Now then, onto power pop, pop punk ? A description that seems to be given to anything that is melodious but has a rather spiky attitude, yes ? Is it both punk and pop? However punk was surely the antithesis of “pop music” as we knew it and correct me if I’m wrong, but I can’t recall the Pistols singing “Anarch-twee In The UK”, although admittedly, John Lydon has since developed a disturbing penchant for all things twee-d.

goth factor

The Horrors-Primary Colours-Is It Really That Good ?

Cast your minds back, if you will, to those far-off innocent times shortly before the NME decided that Glasvegas were the bright shiny future of pop music and then began their inexorable and undignified climb up James Allan’s fundament. There was a brief period of time when said publication tried to put forward The Horrors as the latest guiding beacon for a lost generation of pop kids, and somehow it all sounded so right on paper to begin with. Some holy hallowed names were invoked in the process: they were the skewed warped voodoo ju ju of the The Cramps, the white-knuckle rollercoaster ride through Hades of The Birthday Party at their hellish narcotic peak, the sexed-up whiskey priest sinners of The Gun Club. Throw in the strychnine-soaked sixties garage trash of The Sonics and that, said the hacks, was The Horrors in a nutshell. Good God, we all thought, that sounds amazing, what could possibly go wrong?