The VPME’s curated track of the day. Come Back for new music daily!
And so……. after a few months of smoke and mirrors Black Honey finally step out of the shadows and into the ‘moonlight’ to reveal themselves. Previously we’ve only had sight of some rather splendidly oblique
Ever met somebody who you’ve just hit it off with straight away and felt you’ve known them for like, forever? Well it can be the same with music because occasionally a new band will arrive
Esben & The Witch win the award for our longest ever track of the day as ‘Press Heavenward’ checks in at a mighty 10 minutes and 16 seconds. It’s the opening track from their third
It’s been a while since we’ve heard any new music from Anne Frier aka I Am Harlequin. After wowing us with tracks such as the epic ‘Wild One’, things went a tad quiet on the
NYC noise trio GHXST return with their trademark mix of power and beauty conjuring up an atmosphere of seductive doomed decadent allure. Singer Shelly X’s languid vocals curl around an agitated apocalyptic guitar drone and an
Some music videos really do enhance the song, acting almost as the final piece in the jigsaw where suddenly everything makes perfect sense. And The Anchoress’ lead track from her wonderful ‘One For Sorrow’ EP
Lola Colt return with a new tune that demonstrates their trademark mix of striking psychedelia and dusty spaghetti western stylings as if re-imagined by David Lynch. ‘Driving Mr Johnny’ is another enticing track from their
Like Lorde, NYC singer Ashley Frangipane AKA Halsey is proving that it is entirely possibly to produce pop music with commercial appeal without being sucked into a vacuum of inanity. Because in all honesty despite
September may be over but Dublin’s September Girls have an exciting few months lined up. They’ve revealed details of the first new material since their fabulous and potential debut album of the year ‘Cursing The
Not content with being one the most exciting new bands to emerge in the last few years, London based FURS could also quite conceivably be dubbed ‘most photogenic new band’. This accolade is further cemented with
This week we’ve already mentioned the use of the musical comparison, and it being attacked as ‘lazy’ (see here) Personally we find the well judged comparison can be a handy tool to give a rough
So apparently, it’s lazy journalism to compare bands to bands they may take an influence from or whom they sound a little like. It shows a poverty of imagination? You reckon? Really? We thought lazy
